Most people assume “Grease” is an easy show to do because the tuneful music fuels the story and the characters are instantly relatable. However, you have to rely on specific types to truly sell the cool factor inherent in the comedic material set in and around Rydell High School in the late 1950s.
The production’s tremendous technical elements heighten the show’s appeal as usual, but this mounting, even stronger than its well-received 2010 engagement, uncovers new depths in the vital relationship between the green-skinned, misunderstood Elphaba and the beautiful, bubbly Galinda, the engaging duo that respectively becomes the Wicked Witch of the West and Glinda the Good Witch of the South.
Over the course of five strenuous, enlightening weeks (lighting designer John Rensel and sound designer Jay Brunner expertly mark the moody passage of time), Prof educates Murph on the Bard’s fascinating intricacies while also revealing truths behind the politics and professionalism of academia.
Case in point: Wright State University’s excellent regional premiere of the 2010 musical revue “Sondheim on Sondheim,” a fascinating, revelatory tribute to Grammy, Oscar, Tony and Pulitzer Prize-winning composer Stephen Joshua Sondheim, who celebrated his 85th birthday last month.
This contemporary musical revue, expresses an array of emotions grounded in the expectancy, wonder, vulnerability, and discovery of a single moment. In fact, Brown has stated: “It’s about hitting the wall and having to make a choice, or take a stand, or turn around and go back.” The songs are not connected, which may puzzle or polarize those in search of a traditional plot or story structure.
In the mood for sketch comedy, musical theater or classic drama? Here’s a rundown of a few offerings currently on local stages.
The lineup includes the exhilarating 2013 Tony-winning, circus-themed revival of Stephen Schwartz’s “Pippin,” 2014’s breezy and nostalgic Woody Allen adaptation of “Bullets Over Broadway,” the intimate 2012 Tony-winning adaptation of “Once,” the gorgeous 2013 Tony-winning revival of Rodgers and Hammerstein’s “Cinderella,” and composer Jason Robert Brown’s beautifully romantic, Tony-winning adaptation of “The Bridges of Madison County.”
The 87th annual Academy Awards salutes the best of 2014 cinema tomorrow night at the Dolby Theatre in Los Angeles. Go ahead and anticipate one of the most predictable Oscars in recent memory considering most categories have been cemented since the Golden Globes.
Nice Work” is a silly, summertime, Prohibition-era romantic farce that finds goofy criminals, sexy dames, handsome henchmen, and the haughty upper crust colliding on Long Island. As is standard fare for such zany stories, mistaken identity runs rampant nearly to the point of excess.
Lyricist/librettist Tom Jones and composer Harvey Schmidt’s tender, intimate 1960 musical “The Fantasticks,” loosely based on Edmond Rostand’s 1894 play “Les Romanesques,” receives a visually engaging, strikingly designed presentation at the Dayton Playhouse. Matthew W. Smith spearheads his finest directorial achievement thus far by envisioning the material with nods to commedia dell’arte and vaudeville with particularly lovely sprinkles of whimsicality recalling Jones’ superb direction of the current off-Broadway production. Smith’s show-within-a-show concept is marvelously heightened by … [Read more...]