Charlie Brown, bothered and bewildered as ever, can’t seem to get into the holiday spirit because he feels the season has become too commercial. He even turns to his ever-reliable therapist Lucy (a.k.a. the Christmas Queen) for help. But everything changes when Lucy pulls Charlie out of his doldrums by asking him to direct the school play.
Symbolically bound together during a nonchalant Saturday detention at Shermer High School overseen by Assistant Principal Richard Vernon (Jason Antonick, fittingly stern and agitated) with occasional assistance from trusty janitor Carl Reed (Rick Burnette, amiably observant), outspoken rebel John Bender (co-founder/artistic director Christopher Hahn), popular and privileged Claire Standish (Lisa Glover), brainy Brian Johnson (Timothy Walling-Moore), athletic Andrew Clark (Titus Wolverton), and oddball Allison Reynolds (Kirsten Johnson) despise and disagree until they realize how much they have in common from peer pressure to family dysfunction
The confusion, elation and heartbreak of secret love propels Jon Hartmere and Damon Intrabartolo’s powerful, provocative melodrama “Bare: A Pop Opera,” commendably presented in a student-produced production inside the Black Box Theatre of Sinclair Community College. At St. Cecelia’s co-ed Catholic boarding school, popular Jason (Bobby Mitchum) and timid Peter (A.J. Breslin) choose to keep their passionate relationship private. They can’t seem to overcome strict religious doctrine, administrative wariness, parental passiveness, and the unpredictability of their fellow students basically … [Read more...]
The 20th anniversary national tour of the enjoyably entertaining musical revue “Smokey Joe’s Cafe,” housed at the Victoria Theatre courtesy of the Victoria Theatre Association’s Premier Health Broadway Series, thrives on warmhearted nostalgia and incredibly melodic songs by iconic tunesmiths Jerry Leiber and Mike Stoller. Nominated for seven Tony Awards in 1995 including Best Musical and the record holder as Broadway’s longest-running musical revue, “Smokey Joe’s Cafe” places the music front and center as is typical of the somewhat polarizing revue format. There is no story, arc … [Read more...]
Without a doubt the first pleasant surprise of the fall is the area premiere of Wright State University’s highly entertaining and fabulously choreographed “Hot Mikado,” Rob Bowman and David H. Bell’s little-known 1986 jazz-era twist on Gilbert and Sullivan’s 1885 comic opera “The Mikado.” With great skill and efficiency, Bowman and Bell impressively dusts off this silly, thin tale of love, law and customs in the quaint, cutely named Japanese town of Titipu. Instead of taking a more familiar, traditional approach to the material and Gilbert and Sullivan’s legacy as particularly evident … [Read more...]
Based on Lawrence and Lee’s 1956 play “Auntie Mame,” adapted from Patrick Dennis’ 1955 novel of the same name, “Mame” chronicles nearly 20 years in the life of Mame Dennis, a lively, eccentric socialite who throws lavish soirees in her posh Beekman Place apartment no matter the occasion.
The Dayton Theatre Guild, who staged memorable local premieres of “Fuddy Meers” and “Kimberly Akimbo” by Pulitzer Prize winner David Lindsay-Abaire (“Rabbit Hole”), delivers a splendid local premiere of “Good People,” Lindsay-Abaire’s 2011 Tony Award-nominated working-class dramedy about misunderstanding, regret and neighborhood pride in South Boston’s Lower End a.k.a. Southie. Delicately directed with impressive authenticity by Debra A. Kent, this terrifically insightful, humorous and engrossing character study concerns the resilient yet brash Margaret “Margie” Walsh, a down-on-her-luck … [Read more...]
Film and TV actress Keke Palmer made headlines three weeks ago when she became the first African-American Cinderella on Broadway in “Rodgers and Hammerstein’s Cinderella.” But you don’t have to go to New York City to witness that kind of unique, outside the box casting. After all, Sinclair Community College’s wonderfully charming production of Jane Austen’s “Pride and Prejudice” takes a similarly non-traditional approach that allows the classic tale to refreshingly breathe anew. Elegantly directed with beautifully fluid transitions by Kimberly Borst, “Pride and Prejudice,” breezily adapted by … [Read more...]
August Wilson’s tremendously visceral 1987 Tony and Pulitzer Prize-winning drama “Fences,” among the finest inclusions in his remarkable 10-play “Pittsburgh Cycle” chronicling the African-American experience in the 20th century, opens Wright State University’s 40th anniversary season with emotionally riveting resonance. Beginning in 1957 and spanning nearly eight years in the life of a middle class African-American family in Pittsburgh, “Fences,” splendidly and poignantly co-directed by W. Stuart McDowell and Sheila Ramsey, centers its thought-provoking account of race, regret, … [Read more...]