The Problem We All Live With

You only have a few days to get to The Dayton Art Institute or you’re going to miss something surprisingly evocative and just plain cool.

Until recently, my idea of Norman Rockwell was a memory of images painted on dishes displayed in my granny and grandpa’s dining room cabinet. Those images were cutsey, small-town Americana and very, very quaint.

My Norman Rockwell has changed an awful lot.

When I first visited the exhibit “American Chronicles: The Art of Norman Rockwell,” I was surprised to learn this iconic American artist was a progressive thinker. To be honest, I had no idea he created a body of work addressing such issues as desegregation, civil rights and poverty. I admit I was stunned when standing in front of The Problem We All Live With, a recreation of the walk 6-year-old Ruby Bridges took as a first-grade student and the first African American to attend a previously all-white school in New Orleans. This was not only because of the powerful imagery but because I had not expected to see this ― feel this ― in a Norman Rockwell exhibit. I had trouble breaking myself away from Murder in Mississippi, Rockwell’s depiction of the murders of three young civil rights workers in Philadelphia, Miss., during the civil rights era.  I was late for a meeting (OK, really late) but I really didn’t care. These paintings!

I had the same intense feeling ― you know, when you think a wooly worm is crawling along your spine ― when hearing that same Ruby Bridges Rockwell painted years ago tell a packed auditorium at The Art Institute about her experience and emotions that November day as she and her mother, riding in a car with federal marshals, made their way to her new school.  (Tangent: Check out Bridges’ book, Through My Eyes, if you get a chance.)

Ruby Bridges shares images from the day she made history as the first African American to attend a previously all-white school. "Even back then, I knew 'separate but equal' was not true," she said.

And there were more surprises. Bridges’ parents were not activists. They simply wanted a better life for their daughter, which is why they answered when the NAACP knocked on their door. Bridges used her imagination to decipher what was happening during those days when she unknowingly was making history. Since she had been one of only six African American children to pass a test engineered for them to fail, Bridges thought she was so smart she was going to college. Since her neighbors walked alongside the car that drove her to her first grade class, she thought she was in a Mardi Gras parade. Bridges said the worst thing about first grade was being lonely, as nearly all the white families had withdrawn their children from the school. She revealed the horror of walking by white protestors holding an infant’s coffin containing a black doll, constant threats that she would be poisoned, the schoolboy who told Bridges his mother insisted he not play with her and the weight she felt lifted off her shoulders upon hearing that comment because, finally, she knew what was going on. She knew it was about color, the color of her skin.

Continue…

The crowd at Side Show 5

Urban Nights seems like a long way off, but it’s not too early to get involved with one of the many events that kick off May 11th.  The Dayton Circus has begun preparations for Side Show 7, which will take place May 11th and 12th at the Circus’ space, the Yellow Cab Building on 4th Street.

If you’re unfamiliar with the Side Show, it’s more than an art show.  Each year the Circus celebrates creativity in our community by encouraging participating artists and musicians to think outside the box, take risks and try something new.  So, you ask, how do I get involved?  Interested artists and musicians can download information, sign up for email updates and learn how to submit their work here.   The call for entries is open until March 23rd.

If you want to get involved in other ways, the Circus has also begun organizing several fundraisers to help cover the cost of Side Show 7.  The first one is Dayton Crafty-Con on March 10th.

Check back to Dayton Most Metro in the coming months.  We’ll have more updates on Side Show 7 as the event develops. 

Lest you think this is the beginning of a REALLY complicated joke, I’m here to tell you – it’s Encore Night at the Dayton Philharmonic!

On Thursday, February 9, make a night of it with fellow young professionals!

5:30PM – Start the night at Uno’s Downtown where there will be complimentary appetizers, cash bar, prizes, and on-air “audio tweets” during a live radio remote with WTUE’s Aaron Klauber. Last prize is raffled off at 6:45 PM (must be present to win) when we cash out and the group heads across the street because…

7:15PM – We’re heading BACKSTAGE at the Schuster Center for a special tour and briefing hosted by Brent Havens (Windborne Conductor).

8:00PM – Get to your awesome seats specially reserved in the loge to hear what happens when progressive rock meets classical orchestra. The program features the music of Pink Floyd performed by the amazing Windborne Music backed by the full DPO!

This is a special night (with a crazy great discounted price) specifically to introduce YPs to the great time that is the Dayton arts scene and the Dayton Philharmonic. Tickets are only $30  – that’s more than 1/2 off plus they are actually waiving the $4 processing fee. You MUST order your tickets through the special link below or call Madea Thompson at 937-228-7591 x3222. This deal is only good through February 4th – after that the seats will be released and sold for the face value of $66 (plus that service charge). Don’t miss out!

**This event is NOT limited to previous participants of Generation Dayton or JumpstART – all local YPs are encouraged to attend.**

PURCHASE SPECIAL OFFER ONLINE:

Event hosted by jumpstART & DPO Trustees Lauren Hamer & Maha Kashani

Hello Everyone,

I had an absolutely wonderful time in Utah. The conference (The Art House Convergence) was full of great networking and lots of invaluable information. After the conference, I managed to see a handful of films at The Sundance Film Festival and a collection of shorts at The Slamdance Film Festival (which included a short film from one of our previous employees – Liz Cambron…congrats to Liz for a great, sold-out screening!!).

If you still need to see TINKER TAILOR SOLDIER SPY (nominated for 3 Oscars), you only have until Thursday to see it at THE NEON. We will certainly hold onto THE ARTIST – nominated for 10 Oscars (including “Best Picture”). Audiences are loving this film.

On Friday, we will open a film that has been requested by several of you (and snubbed by the Academy) – A DANGEROUS METHOD. Directed by David Cronenberg and starring Michael Fassbender (FISH TANK, JANE EYRE and upcoming SHAME), Viggo Mortensen (A HISTORY OF VIOLENCE, THE ROAD) and Keira Knightley (ATONEMENT, NEVER LET ME GO), this is the story of Jung and Freud and the woman who came between them.

Synopsis for A DANGEROUS METHOD: “On the eve of World War I, Zurich and Vienna are the setting for a dark tale of sexual and intellectual discovery. Drawn from true-life events, A Dangerous Method takes a glimpse into the turbulent relationships between fledgling psychiatrist Carl Jung, his mentor Sigmund Freud and Sabina Spielrein, the troubled but beautiful young woman who comes between them. Into the mix comes Otto Gross, a debauched patient who is determined to push the boundaries. In this exploration of sensuality, ambition and deceit set the scene for the pivotal moment when Jung, Freud and Sabina come together and split apart, forever changing the face of modern thought” (taken from Sony Classics)

Visit the official website by clicking this LINK.

“The Miami Valley School, Dayton’s only independent, college-preparatory school is proud to present a special one-time only screening of RACE TO NOWHERE on Thursday, Feb. 9, 2012. Considered to be the counter film to Waiting for Superman, RACE TO NOWHERE addresses the academic pressures facing students today and what we can do about it. Featuring heartbreaking stories of young people who have been pushed to the brink, educators who are burned out and worried that students are not developing the skills they need, and parents who are trying to do what’s best for their kids, RACE TO NOWHERE points to the silent epidemic in our school: Students are pressured to perform and not necessarily to learn critical thinking skills…To see the trailer, please go to www.racetonowhere.com.  This is a free event and all are welcome!  Thursday, February 9, 2012 - Reception at 6:30 pm and screening begins at 7:30 pm, followed with Q & A session.” (taken from Miami Valley School press release)

On Saturday, February 25 at noon, The Junior Leaguers Club, Inc. will host a benefit screening of THUNDER SOUL. “THUNDER SOUL follows the extraordinary alumni from Houston’s storied Kashmere High School Stage Band, who return home after 35 years to play a tribute concert for the 92-year-old “Prof,” their beloved band leader who broke the color barrier and transformed the school’s struggling jazz band into a world-class funk powerhouse in the early 1970s.” (taken from press notes) Adult tickets (which include a glass of wine as well as soda & popcorn) are $30 each. Student tickets (which include soda and popcorn) are $15 each. For more information, please call (937)219-7501. Proceeds from this event will go to The Junior Leaguers Scholarship Fund. To check out more about THUNDER SOUL, visit the official site.

See you soon,

Jonathan

SHOWTIMES for Fri. January 27 – Thur. February 2:

A DANGEROUS METHOD (R) 1 Hrs 39 Min

Friday, Saturday, Sunday: 12:50, 3:00, 5:15, 7:30, 9:40

Monday – Thursday: 3:00, 5:15, 7:30

THE ARTIST (PG-13) 1 Hr 40 Min

Friday: 12:30, 2:45, 5:00, 7:20, 9:30

Saturday: 12:30, 5:20, 7:20, 9:30

Sunday: 12:30, 2:45, 5:00, 7:20, 9:30

Monday – Thursday: 2:45, 5:00, 7:20

CALL OF THE SCENIC RIVER: AN OHIO JOURNEY

Saturday: 3:00 – This Screening Has SOLD OUT!

COMING SOON:

As always, all dates are tentative. Many of these dates will change.

In some cases, titles may disappear.

Feb. ? ALBERT NOBBS

TBD THE HEDGEHOG

TBD SHAME

TBD A SEPARATION

March 16 WE NEED TO TALK ABOUT KEVIN

The Descendants, a novel by Kaui Hart Hemmings

This debut novel regularly receives four stars and kudos for its humor and heartbreaking emotion. The structure of the movie is faithful to the book, with several characters given more dimension in the book. Several scenes and sections of dialogue are taken directly from the book. It can’t hurt to have nominated George Clooney as Best Actor for the movie as well.

Extremely Loud and Incredibly Close, a novel by Jonathan Safran Foer

A sophomore novel by Foer, Extremely Loud and Incredibly Close follows Foer’s standout novel and accompanying movie, Everything is Illuminated.

Foer’s books are an acquired taste but they are still given more than four stars by most readers. Some complain of the odd passages, overwritten text, and illustrations but the movie seems to make the story accessible to all. Max Von Sydow is nominated for Best Supporting Actor and doesn’t utter a single word in the movie.

The Help by Kathryn Stockett

With another debut novel, Stockett has become the patron saint of thwarted novelists. She famously gave an interview explaining that The Help took five years to write and racked up over 60 rejections before becoming a bestseller and collecting nearly four stars from every review site. Even her husband suggested she abandon the book and move on to something else.

The movie is superbly cast with a trio of fierce actresses, each deserving a nomination. It did gain best actress for Viola Davis (Abilene) and two supporting actress for the stunning Octavia Spencer (Minnie) and Jessica Chastain (Celia). Only Emma Stone was neglected.

Moneyball, novel by Michael Lewis

The only non-fiction book on the list, Moneyball is regularly ranked four stars and above, even by non-sports lovers. The theory heavy book found the heart of the story, replicating the success Lewis had with his other novel turned blockbuster, The Blind Side.

Brad Pitt is nominated for Best Actor, Jonah Hill is nominated for a Best Supporting Actor for his fictional character, Peter Brand, and the movie is nominated for Best Adapted Screenplay.

The Invention of Hugo Cabret, book written and illustrated by Brian Selznick

The children’s book by Selznick is an inventive mix of picture book, children’s novel, graphic novel, and mystery. Hugo, the movie, takes its cues from the cinematic book, delivering a rich ready-made story. It is nominated for both Best Director and Best Adapted Screenplay as well.

War Horse, novel by Michael Murpurgo

Another children’s novel, War Horse was first released in 1982. Adapted into a play first and then into a movie, directed by Steven Spielberg, it is both a moving, brief book and a riveting epic movie.

The book, at only 192 pages, regularly ranks four stars and above and can be enjoyed by both children and adults.

Of the entire Oscar nominated films, what book do you most want to read?

Hello Everyone,

I’m going to keep this update short and sweet.  I’ve been running around Park City, and I’ve returned to the hotel where the internet connection is terribly slow.

As of today (Jan. 20), THE NEON is now playing one of the best reviewed films of 2011…and in my opinion, it’s fantastic!  Do not miss THE ARTIST – winner of the Golden Globe for “Best Picture – Musical or Comedy.”  For showtimes, please visit www.neonmovies.com.

Thanks much…and see you soon!

Jonathan

Dow Thomas: Comedian & Musician 1953-2012

Sifting through scattered memories, most of which are second hand recollections that occurred before my time, I find myself overwhelmed by a life lived with a manic exuberance. I found out about comedian Dow Thomas’ passing from a friend and regular customer of Wiley’s Comedy Niteclub who called to inform me of the news. I stayed up until around 2:00am poring over the condolences that poured out from all over the country, cascading down from Dow’s Facebook page and other social media outlets. I looked through pictures that I had of Dow, read through transcripts from interviews I had done with him and reflected on conversations that we had had in the past. While many around me knew Dow longer and were closer friends than he and I were, Dow possessed the ability to make you feel that you were the only one in the room. Even during performances where there were a hundred or more people in the room, he made you feel as if you were within his inner circle, that this was an intimate gathering of friends and not just a group of people watching a performance. Even beyond his unerring talent and exuberant imagination, this was his true gift.

Born in Chillicothe and raised in the Akron/Cleveland area, Dow moved to the Dayton area in 1971 to attend Wright State as a theater major, a fitting field of study for someone who had been familiar with the stage for much of his youth. Even though Dow was not a native ofDayton, he embraced the area with the fervor that a lifelong resident should have.

“I didn’t originally come from Dayton. I just kind of adopted the city in 1971. I moved to the area to go to Wright State and I just stayed.” Dow said during one of our conversations. “I ended up living in downtown Dayton. I used to hang out at the Arcade a lot there. I’m a downtown kind of guy.”

Dow Thomas as Cléante in Molière’s Tartuffe

Dow was very active in the drama department while at Wright State, performing in several theater productions, such as Shakespear’s Romeo and Juliet and a pair of Molière’s plays; That Scoundrel Scapin and as Cléante in Tartuffe. In the latter drama, he caught the eye of a fellow student, Rob Haney, which signaled the beginning to a lifelong friendship.

As his hair grew, so did Dow’s creative yearnings. He began playing music around town, playing at venues that are but a mere memory to most Daytonians.

“I started my shows at the Upper Krust on North Main St. for ten dollars a day. I liked being up on North Main because I liked to go to shows and Gilly’s used to be up on North Main and there was also The Tropics and Suttmiller’s, which was fun for me to go see supper club type comedians like Jerry Van Dyke or Pete Barbutti and those kind of guys.”

Even though many venues and stages were opening themselves up to Dow’s music and acting, this was still not enough to contain Dow’s imaginative energies. He started sneaking his oddly skewed humor into his songs and banter with the audience.

A poster from 1972 for the Upper Krust

“I was actually doing comedy in 1972, but at that time there weren’t any comedy clubs, so I was just doing comedy along with music. I would get hired as a musician/entertainer and just add in the comedy in between songs.” Dow reflected. “I would always put on masks and stuff…I just can’t help myself from clowning around. I’d have the gig and eventually I had bands, but when I clowned around, everyone clowned around with me. What was always part of the show was me being stupid. It was what I said in between songs and me ruining songs, like singing like a dog and getting a ‘bark along’ going.”

In those days, you may have seen Dow tooling around town in his hearse, decked out like a Bohemian undertaker, black clad and sporting his ubiquitous top hat, running from gig to gig. He played with Astrid Socrates for seven years (creatively billed as Astrid & Dow) as well as drummer Doug Buchanan Tim McKenzie on lead guitar during yet another incarnation of his ingenuity. He was a featured act at The Trolley Stop, Clancy’s, the Iron Boar and Bogey’s.

Comics don’t need to spend actual time together to feel like brethren or family.  We are constantly accruing that common experience that instantly bonds us all separately and continually.  But, few of us are as pure, kind, original, and superbly funny as Uncle Dow.  I feel forever indebted to him for making it possible for me to ever start and I know that anyone who knew him feels like they, too are some of the luckiest people alive.  Uncle Dow made people laugh, but even more so he made them feel alive and always made them smile. ~Ryan Singer

“I’ll never forget the day Dow Thomas and my path crossed. I was part owner of a night club called Bogey’s onWatervliet Ave. in Dayton when Dow and Jeffro stopped in after buying guitar strings at Ace Music.” Mike Adams reminisced recently. “Things weren’t going very well at the bar and we couldn’t afford a barmaid or a cook so I was working. Dow Thomas ordered two drinks and asked for a menu and ordered a sandwich. Upon serving him he asked who owned the place and I confessed. He asked how things were going and I said not to well. He said he could tell. He asked if I had ever heard of Dow Thomas and I said yes but had never seen him and he told me I was talking to him. He offered to do a show one night a week for free as long as I didn’t interfere with him trying new material. I lost a lot of money owning that bar but memories like this makes the money seem irrelevant.”

Dow also frequently played in a bar onPatterson Road called the Iron Boar and becoming steadfast friends with the owners, Dan and Jodi Lafferty.

“We used to do a Gong Show at the Iron Boar and it was fun because we’d have some guy come up and go, ‘I’m going to do my imitation of a lobster’ and we’d go, ‘Good!’  So he’d put claws on and hop around like a freak…it was just so stupid!” Dow began chuckling to himself on the phone before going on. “I used to do a thing called Punt The Fish and I’d yell out, ‘It’s time to…’ the audience would scream, ‘Punt the Fish!’ I had this rubber fish and audience members would come up and kick this fish and we’d measure it off with toilet paper and the one who kicked it the farthest won. One night I had this woman up on stage and she kicked the fish and it went into the propeller of the ceiling fan and came back and smacked me in the face. Everybody was just laughing and I stood up and screamed, ‘Disqualified!’ It was all just so stupid, but you’ll never be able to have a moment like that ever again.”

In ’91 when I took over Jokers Comedy Café, Dow was running the open mic night.  I’d never heard of Dow and looking at this man in a black trench coat and top hat, I have to admit my first impression was not great-   he’s gonna be dark and sarcastic and egotistical, I thought.  I could not have been more wrong!  Dow loved being on stage and his joy radiated through the crowd. He would have an audience pounding their table to Power & Light, and tossing paper plates across the room as he sang Sail Cats. ~Lisa Grigsby

The comedy began usurping the music and Dan Lafferty began booking ventriloquists, jugglers and other oddball acts to fill out the shows.

“I used to have people like Jay Haverstick, who owned Jay’s Seafood, he would come and see my shows. So would Mike Peters. They would be out late at night and they would just say, ‘Hey! Let’s go and see what crazy Dow is doing!’” Dow said during another conversation. He went on, describing another huge change that was bout to occur in his life. “But there wasn’t a comedy club, so I left forL.A.I gave them (the Lafferty’s) a one year’s notice (laughing) and said, ‘In a year, I’m going toL.A.’ and that’s when we turned it into a comedy club.”

Eventually, the Lafferty’s decided to change not only the whole format of the club to comedy, but the name itself. In an unexplainable instance where someone could legitimately name a comedy club Lafferty’s, Dan decided to use his nickname instead, dubbing the newly restructured club Wiley’s.

Dow, true to his word, eventually left forLa-LaLand, seeking his fame and fortune, both of which proved to be elusive in the land of silicone and sunshine. He found that the venues that were available to him were less than conducive to his creative talents. At one point, he found himself doing sets between bouts at a boxing match and, towards his triumphant return toDayton, he was unceremoniously replaced with disco music at a Newport Beachclub. Yet the comedy scene was heating up nationally and Dow was riding the cusp of this chaotic wave. The shows were not the structured tight sets that we witness now in the clubs, but were given to more improvisational melees and surprise guests.

“There were these guys like Rich Purpura, who was a comedy/magician, and Tim Walko, a guitarist, and they were both fromChicago. We’d do a show, just packing the place, but at the end, we’d just get up there and jam and kept the show going and clown around with each other.” Dow said. “By then, we were just trying to make each other laugh, and that’s what the audience liked. It was kind of like. It was kind of like having the Rat Pack or something. It was that kind of feel, where everybody’s in the groove. Back then I could have Emo Philips come in and do twenty minutes and then I’d get a chance to go to the bathroom. Then maybe Judy Tenuta would come in and do twenty to thirty minutes and then I’d get a chance to go to the bathroom. For me, I thought it should go on all night.”

Rob Haney

Another person that benefitted from the burgeoning comedy scene was Rob Haney, a newly touring comic and future owner of Wiley’s Comedy Niteclub.

“Rob Haney came up to me one time and said, ‘Can I get up and do some time? I just got back from The Comedy Store.’ He had just done some showcasing there…which surprised me because Rob was a bouncer in a bar I used to work at.” Dow recalled that, “When I first met him, he was a doorman at a place called The Bar inWest Carrollton. It was a rough little joint that ended up being Omar’s for a while. It was an old basement bar and the family that owned it was pretty rugged. I actually had guns pulled on me in that bar. I’ve seen him mace guys and throw guys out…he’s a pretty tough guy. He had like shoulder length hair at the time and pretty well built, so it was a different Rob Haney that came up to me with short hair and asked if he could do like twenty minutes and I said, ‘Sure!’ I let him up at the Trolley Stop and I had a gig there like six nights a week…it was crazy.”

Another iconic staple of the Miami Valley that Dow had a huge role in was with his friend Dr. Creep (Barry Hobart) and Shock Theater. The inception of Shock Theater was supposed to be actually scary, as an accompaniment to the B-rated horror flicks that they screened, but the campy ineptness and irrepressible humor of Dr. Creep and the people that worked on the show quickly made the show a campy carnival for all of those late night viewers.

“I ended up getting on just about every television show in Dayton, but I got with Dr. Creep in the late seventies when it was called Saturday Night Dead because they had him on after Saturday Night Live, so it was kind of a neat spot.” Dow went on to say, “So I wrote The Ballad of Dr. Creep and went on there with my girlfriend at the time, Astrid Socrates and also with a bunch of my friends and we did skits.”

Barry Hobart (Dr. Creep) And Dow

“You know, what’s funny about that whole thing is that they became the number one, locally produced television show while I was writing for them. They would go, ‘Okay, we’re showing Dracula: Prince of Darkness’ and we made up the Bat Photo Studio and all of the prints would come out really dark, and customer’s would comment, ‘Wow! These prints are really dark!’ and I’d go, ‘Well, I am Dracula: Prints of Darkness! Sometimes I accidently cut their heads off!’ and I’d hold up a severed head. It was just stupid stuff like that.” With a tinge of regret, Dow added, “Of course, Joe Smith said, ‘No, you can’t do this and you can’t do that.’ He was an integral part of the studio there, so I got censored quite a bit and got into a little bit of trouble. I remember John Riggi and I getting yelled at because we changed the weather map one time. We got up there and started putting a bunch of tornados around Xenia…they were just little magnetized things back in those days. We were hippies in a studio that had rules.”

Dow played some forty different clubs in the MiamiValley the years that he was here and developed a huge fan base locally as well as in other cities that he performed in. In 1997, he moved to Florida with his wife Kay and they took up residence at some of the local clubs near their new home. Even after his departure, Dow was voted Dayton’s Best Comedian for two year’s running. He would still make frequent sojourns to Ohio, usually performing at Wiley’s one to two times a year, creating comedic chaos with his skewed humor and especially with his song Sailcats, in which he would cajole the audience into throwing paper plates in lieu of flattened kittens as the song implied. The staff would usually find the last paper plate stuck in the rafter shortly before Dow’s next scheduled appearance.

Dow Thomas At Dirty Little Secret Sanitarium Show

I contacted Dow in February of 2011 to ask if he would perform at my upcoming Dirty Little Secret Sanitarium show in May. He was eager to do the show because of the variety aspect of the event, but was reluctant in some ways, feeling that it would be a conflict of interests with his Wiley’s appearances. Rob Haney assured him that there would be no conflict and he agreed to do the show. That evening became an impromptu reunion of sorts in honor of Dr. Creep as not only had Dow worked closely with him, but so had some of the other performers slated for that evening. Thomas Nealeigh from FreakShow Deluxe had worked with Dr. Creep as had A. Ghastlee Ghoul. Our emcee for the evening was Dr. Creep’s protégé  Baron Von Pork Shop and some of the members of Team Void had recorded music for Shock Theater’s DVD’s. Dow had a blast at the show and had garnered yet a few more fans for his cult of comedy.

I contacted him again this past December to see if he wanted to be part of the Dirty Little Secrets Sick Of Santa Show and he readily agreed. We spent the rest of the conversation talking about old horror movies and other trivialities. On the night of the show, December 28^th, 2011, his wife Kay showed up at the club saying that Dow was really sick and would be unable to perform. Seeing the look on her face and knowing Dow’s penchant for performing, I knew then that it was ore serious than she was letting on. The next evening, Dow arrived at Wiley’s to do his Thursday night set and we could all tell that something was wrong. The current owner, Rob Haney, and other staff and friends finally convinced Dow he needed to seek medical attention. He was admitted toMiamiValleyHospital and, two days later was released. He performed the New Year’s Eve show as well as the shows the following week.

His last show on January 7^th, 2012 was astounding. Offstage, he seemed somewhat fragile, but as soon as he was on stage, that glimmer came into his eyes and the casual smirk shown across his face. He performed Sailcats and wheedled the audience into throwing the paper plates once again, daring any one of them to land one of them on his top hat. It was a picture perfect performance where someone actually landed a paper plate onto his top hat. The show ended with a standing ovation for our Uncle Dow, with audience members shouting out their approval and appreciation for Dow’s show.

After the show, Dow was surrounded by family and friends, well wishers and fans. It was the way of Dow: that feeling that you just needed to be near him and everything would be alright. You would be safely ensconced in his world.

Shortly after returning to Akron, Dow was hospitalized. He died January 18^th, 2012. The outpouring of condolences and memories was immediate and Dow’s Facebook page became a makeshift memorial for a legion of stunned fans and friends to share their grief as well as their memories.

I think now of the boarded up Upper Crust, the warped wooden floors of the Trolley Stop, the comfortably worn carpet of the Wiley’s stage and I can hear the clank of glasses against the cascading laughter and see Dow with a mischievous gleam in his eyes as he dons a mask and unleashes a dialogue of absurdity in the voice of Lon Chaney. I can see him on stage doing what he did best: fashioning a world without limits, pushing the envelope until it bent and combining chords to nonsensical songs that bring laughter to all who are compelled to bang their glasses on the table and sing along. I see him smile down from the stage wearing a paper plate atop his felted hat, an improvised halo for our imaginative jester.

Read my previous article from 12/2010 – “Dow-Town Dayton”

Hello Everyone,

We had a very solid opening for TINKER TAILOR SOLDIER SPY, and I want to thank all of you who came out to support opening weekend at The Neon!  TTSS will stick around, and we are going to hold MY WEEK WITH MARILYN for one more week (Jan. 19 will be MARILYN’s final day).  Unfortunately, I have to report that we needed to move the opening date of CARNAGE, but the distributor didn’t want to wait for us…so we have to pass on playing it.  That said, the road will be clear for us to open THE ARTIST on January 20 as planned.

Click HERE for TINKER TAILOR’s official site.

On Saturday, January 28 at 3:00, our large auditorium has been rented to screen CALL OF THE SCENIC RIVER: AN OHIO JOURNEY.  “This film is the story of Ohio’s most natural waterways. Although few people realize that Ohio was the first state to declare a Scenic Rivers Program in March of 1968, Ohio’s program continues to lead river conservation because of it’s respect of private property, it’s commitment to designating the most ecologically intact systems, and it’s popular volunteer opportunities. Filmed by Ohio cinematographers, Mike King and Adam White, with underwater footage by Tom Mayor, – alumni of Wright State University’s Motion Picture Program – the film captures the stunning and natural beauty of these watershed eco-systems. A portion of the proceeds will benefit Rivers Unlimited, the nation’s oldest river conservation organization. RSVP and tickets ($10/ticket) may be purchased from the film’s website – CLICK LINK.”  (taken from press notes)

On Saturday, February 25 at noon, The Junior Leaguers Club, Inc. will host a benefit screening of THUNDER SOUL.  “THUNDER SOUL follows the extraordinary alumni from Houston’s storied Kashmere High School Stage Band, who return home after 35 years to play a tribute concert for the 92-year-old “Prof,” their beloved band leader who broke the color barrier and transformed the school’s struggling jazz band into a world-class funk powerhouse in the early 1970s.” (taken from press notes)  Adult tickets (which include a glass of wine as well as soda & popcorn) are $30 each.  Student tickets (which include soda and popcorn) are $15 each.  For more information, please call (937)219-7501.  Proceeds from this event will go to The Junior Leaguers Scholarship Fund.  To check out more about THUNDER SOUL, visit the official site.

On Sunday morning, I’ll be heading to a conference for operators and owners of arthouse cinemas from across the country.  The conference is in Utah, so I’ll stick around for the first couple days of the Sundance Film Festival, too.  Please keep the staff nice and busy while I’m gone.

See you soon,

Jonathan

SHOWTIMES for

Fri. January 13 – Thur. January 19:

TINKER TAILOR SOLDIER SPY (R) 2 Hrs 07 Min

Friday, Saturday, Sunday:  1:15, 4:15, 7:15, 9:45

Monday: 3:30, 5:45, 8:15

Tuesday – Thursday:  2:30, 5:15, 8:00

MY WEEK WITH MARILYN (R) 1 Hr 39 Min

Friday: 12:50, 3:00, 5:10, 7:20, 9:30

Saturday: 12:50, 5:10, 7:20, 9:30

Sunday:  12:50, 3:00, 5:10, 7:20, 9:30

Monday: 3:30, 5:45, 8:00

Tuesday – Thursday:  3:00, 5:10, 7:20

COMING SOON:

As always, all dates are tentative.

Many of these dates will change.

In some cases, titles may disappear.

Jan. 20   THE ARTIST

TBD   THE HEDGEHOG

TBD   SHAME

TBD   A DANGEROUS METHOD

TBD   A SEPARATION

"Peaceful Protests" by Issa Randall

The Dayton Visual Arts Center (DVAC) presents two new exhibitions which celebrate the synergies between Dayton’s ethnic and cultural communities. The Dramatic Moment is a solo exhibition by Dayton artist Issa Randall that presents figures that emerge from layers of torn, burned and collaged paper to create a provocative statement on the power of images. The Dramatic Moment will feature an exhibition brochure with writings by guest essayist Peter Ainsworth, London-based photographer, and the artist. Character Studies, DVAC’s second Members’ show of the season, includes selected works from all mediums that express the spirit of “character.”

"Don't Burn the Trash" by Issa Randall

Randall, along with new executive director Eva Buttacavoli, will serve as co- jurors for Character Studies. This juried members’ exhibit will feature a variety of artwork by DVAC members that address how we define and identify character.

About REACH Across Dayton

Exhibition Dates

Jan. 17-Feb. 24, 2012

Exhibition Programs

Gallery Talk: Character Studies Artists & Community Art Project - Feb. 3, 6:15 p.m.

Gallery Talk: Issa Randall - Feb. 23, 5:30 p.m.

Studies Conference: In the Spirit of Building Character - Feb. 24, 8:30 a.m.-4:30 p.m.

at Sinclair Community College Ponitz Center

Closing Reception - Feb. 24, 5-7 p.m.

Where

Dayton Visual Arts Center

118 N. Jefferson St.

Downtown Dayton

Gallery Hours

11 a.m.-6 p.m., Tuesday-Saturday Closed Sunday & Monday

For more information

(937) 224.3822

www.daytonvisualarts.org

dvac@daytonvisualarts.org

Hello Everyone,

It’s time to say farewell to THE DESCENDANTS – one of our big hits from 2011.  If you haven’t seen the film yet (or need to see it again), you only have through Thursday to see it at THE NEON.  On Friday, we will open a film that has been long-awaited by several of you and a “Top 10″ for numerous critics – TINKER TAILOR SOLDIER SPY.  For our other screen, MY WEEK WITH MARILYN will hold for another week.

I just found out that we will not be exclusive on TINKER TAILOR.  Though this is a big disappointment, I hope you’ll help us by telling your friends & family to please support this film at THE NEON.  Having a great opening weekend will help send the message to distributors that THE NEON is where people want to see smart, thought-provoking cinema.

Synopsis for TINKER TAILOR SOLDIER SPY: ”The time is 1973. The Cold War of the mid-20th Century continues to damage international relations. Britain’s Secret Intelligence Service (SIS), a.k.a. MI6 and code-named the Circus, is striving to keep pace with other countries’ espionage efforts and to keep the U.K. secure. When things go awry, it’s up to top lieutenant, George Smiley, a career spy with razor-sharp senses, to get things back on track.” (Taken from Focus Features)  Based on the 1974 novel by John le Carre that “redefined the spy thriller,”  the new film stars Gary Oldman, John Hurt, Toby Jones, Colin Firth, Tom Hardy and Mark Strong.

Click this link to visit the film’s official site.

We have several organizations renting our space for special events in the coming weeks…so I’ll hopefully have more details for you by next week’s newsletter.

We hope to see you this weekend at THE NEON,

Jonathan

SHOWTIMES for Friday Jan 6 – Thursday Jan 12:

TINKER TAILOR SOLDIER SPY (R) 2 Hrs 07 Min

Friday, Saturday, Sunday:  1:00, 4:15, 7:15, 9:45

Monday – Thursday:  2:30, 5:15, 8:00

MY WEEK WITH MARILYN (R) 1 Hr 39 Min

Friday, Saturday, Sunday:  12:50, 3:00, 5:10, 7:20, 9:30

Monday – Thursday:  3:00, 5:10, 7:20

COMING SOON:

As always, all dates are tentative.

Many of these dates will change.

In some cases, titles may disappear. 

Jan. 13   CARNAGE

Jan. 20   THE ARTIST

TBD   THE HEDGEHOG

TBD   SHAME

TBD   A DANGEROUS METHOD