The Problem We All Live With

You only have a few days to get to The Dayton Art Institute or you’re going to miss something surprisingly evocative and just plain cool.

Until recently, my idea of Norman Rockwell was a memory of images painted on dishes displayed in my granny and grandpa’s dining room cabinet. Those images were cutsey, small-town Americana and very, very quaint.

My Norman Rockwell has changed an awful lot.

When I first visited the exhibit “American Chronicles: The Art of Norman Rockwell,” I was surprised to learn this iconic American artist was a progressive thinker. To be honest, I had no idea he created a body of work addressing such issues as desegregation, civil rights and poverty. I admit I was stunned when standing in front of The Problem We All Live With, a recreation of the walk 6-year-old Ruby Bridges took as a first-grade student and the first African American to attend a previously all-white school in New Orleans. This was not only because of the powerful imagery but because I had not expected to see this ― feel this ― in a Norman Rockwell exhibit. I had trouble breaking myself away from Murder in Mississippi, Rockwell’s depiction of the murders of three young civil rights workers in Philadelphia, Miss., during the civil rights era.  I was late for a meeting (OK, really late) but I really didn’t care. These paintings!

I had the same intense feeling ― you know, when you think a wooly worm is crawling along your spine ― when hearing that same Ruby Bridges Rockwell painted years ago tell a packed auditorium at The Art Institute about her experience and emotions that November day as she and her mother, riding in a car with federal marshals, made their way to her new school.  (Tangent: Check out Bridges’ book, Through My Eyes, if you get a chance.)

Ruby Bridges shares images from the day she made history as the first African American to attend a previously all-white school. "Even back then, I knew 'separate but equal' was not true," she said.

And there were more surprises. Bridges’ parents were not activists. They simply wanted a better life for their daughter, which is why they answered when the NAACP knocked on their door. Bridges used her imagination to decipher what was happening during those days when she unknowingly was making history. Since she had been one of only six African American children to pass a test engineered for them to fail, Bridges thought she was so smart she was going to college. Since her neighbors walked alongside the car that drove her to her first grade class, she thought she was in a Mardi Gras parade. Bridges said the worst thing about first grade was being lonely, as nearly all the white families had withdrawn their children from the school. She revealed the horror of walking by white protestors holding an infant’s coffin containing a black doll, constant threats that she would be poisoned, the schoolboy who told Bridges his mother insisted he not play with her and the weight she felt lifted off her shoulders upon hearing that comment because, finally, she knew what was going on. She knew it was about color, the color of her skin.

Continue…

The crowd at Side Show 5

Urban Nights seems like a long way off, but it’s not too early to get involved with one of the many events that kick off May 11th.  The Dayton Circus has begun preparations for Side Show 7, which will take place May 11th and 12th at the Circus’ space, the Yellow Cab Building on 4th Street.

If you’re unfamiliar with the Side Show, it’s more than an art show.  Each year the Circus celebrates creativity in our community by encouraging participating artists and musicians to think outside the box, take risks and try something new.  So, you ask, how do I get involved?  Interested artists and musicians can download information, sign up for email updates and learn how to submit their work here.   The call for entries is open until March 23rd.

If you want to get involved in other ways, the Circus has also begun organizing several fundraisers to help cover the cost of Side Show 7.  The first one is Dayton Crafty-Con on March 10th.

Check back to Dayton Most Metro in the coming months.  We’ll have more updates on Side Show 7 as the event develops. 

"Peaceful Protests" by Issa Randall

The Dayton Visual Arts Center (DVAC) presents two new exhibitions which celebrate the synergies between Dayton’s ethnic and cultural communities. The Dramatic Moment is a solo exhibition by Dayton artist Issa Randall that presents figures that emerge from layers of torn, burned and collaged paper to create a provocative statement on the power of images. The Dramatic Moment will feature an exhibition brochure with writings by guest essayist Peter Ainsworth, London-based photographer, and the artist. Character Studies, DVAC’s second Members’ show of the season, includes selected works from all mediums that express the spirit of “character.”

"Don't Burn the Trash" by Issa Randall

Randall, along with new executive director Eva Buttacavoli, will serve as co- jurors for Character Studies. This juried members’ exhibit will feature a variety of artwork by DVAC members that address how we define and identify character.

About REACH Across Dayton

Exhibition Dates

Jan. 17-Feb. 24, 2012

Exhibition Programs

Gallery Talk: Character Studies Artists & Community Art Project - Feb. 3, 6:15 p.m.

Gallery Talk: Issa Randall - Feb. 23, 5:30 p.m.

Studies Conference: In the Spirit of Building Character - Feb. 24, 8:30 a.m.-4:30 p.m.

at Sinclair Community College Ponitz Center

Closing Reception - Feb. 24, 5-7 p.m.

Where

Dayton Visual Arts Center

118 N. Jefferson St.

Downtown Dayton

Gallery Hours

11 a.m.-6 p.m., Tuesday-Saturday Closed Sunday & Monday

For more information

(937) 224.3822

www.daytonvisualarts.org

dvac@daytonvisualarts.org

Their goal? Connect people with their communities.

But here in Dayton, things are getting a little out of hand. First of all, you’ve got dozens of art studios, performance venues and event leaders offering so many awesome opportunities downtown, how’s a fan supposed to see it all? Second of all, pretty much everything’s free. Whatever happened to good old-fashioned capitalism?

I’m joking, of course. The Gem City’s art scene is as vibrant as any I’ve seen outside the big metropolitan meccas. And good old greedy capitalism can go take a dose of its own medicine in a third-world factory or a Dayton factory layoff line. Because you know what? We’ve got Handmade Holiday.

On the first Friday of December, for the past three to five years (yep, even the organizers can’t remember exactly how many now), Dayton’s best knitters, photographers, crafters, painters, and urban revolutionaries pack themselves into a brightly lit storefront and offer their wares to folks who care about keeping their shopping dollars local.

Etch at work at HH 2009 - photo by Melissa Trent

You can find hand-crocheted caps for babies, joke books for 8-year-olds, edgy phone pouches for the teens on your list, and enough wildly sweet local art (and cupcakes!!!) to satisfy your friends and grandparents from here to the end of Kwanzaa. And your cash? Sure, you’ll hand out more than you’d pay for one of those plastic things from a box store, stamped out by slave kids in other countries whose bosses got our old jobs. But your extra dollars will get at least one more cycle in the Miami Valley, and it makes a world of difference to the dedicated artists sharing their creative energies with us First Friday revelers.

Want to see the wares? Check out the Handmade Holiday market at the St. Clair Lofts, St. Clair Street at 4th Street (just north of the Neon and south of the Dayton Metro Library) from 5 to 10pm Friday, then 11am to 6pm Saturday.

And yes, fans, there’s talk of making this market a monthly event in 2012. Organizer(s) and venue(s) needed!

If you don’t recognize plenty of the works and their creators this weekend, keep on coming to First Fridays! It’s all about connecting us with our communities, after all.

(Click the poster to view it full-size — how many names do you recognize?)

(from The Dayton Art Institute)

Norman Rockwell painted the best of America, creating indelible images of the lives, hopes, and dreams of Americans in the 20th century. Those images continue to resonate with subsequent generations, well into the 21^st century.

"Checkers"

The Dayton Art Institute will celebrate the life and work of Norman Rockwell with the special exhibition American Chronicles: The Art of Norman Rockwell, presented by PNC. The exhibition opens Saturday, November 12 and runs through February 5, 2012.

The exhibition, organized by the Norman Rockwell Museum, explores Rockwell’s unparalleled role as an iconic American storyteller. American Chronicles features 42 original artworks from the Norman Rockwell Museum’s collection, including well-known images such as Triple Self-Portrait (1960), Girl at Mirror (1954), Going and Coming (1947), and Art Critic (1955). The exhibition also includes cover sheets of all 323 Saturday Evening Post covers created by Rockwell. His work for the Post spanned a remarkable 47 years, and the artist became a household name in the process.

Expertly weaving both narrative and painterly images, Rockwell was a consummate visual storyteller with a finely honed sense of what made an image successful in the rapidly changing era of mass media. Rockwell’s unique artistic legacy, established during 65 years of painting, offers a personal chronicle of 20th century life and aspirations that has both reflected and profoundly influenced American perceptions and ideals.

"Mine America's Coal"

American Chronicles traces the evolution of Rockwell’s art and iconography throughout his career – from carefully choreographed reflections on childhood innocence in paintings such as No Swimming (1921) to powerful, consciousness-raising images like The Problem We All Live With (1964), which documented the traumatic realities of desegregation in the South.

The exhibition also includes materials from the Museum’s archives that demonstrate how Rockwell worked, from preliminary sketches, photographs, color studies, and detailed drawings to the finished painting. Commentary focusing on recurring personal themes, artistic and cultural influences, and the commercial climate that influenced Rockwell’s creative process will be woven throughout the exhibition.

"Going and Coming"

Related Events and Programs

The Dayton Art Institute is planning a number of special events and programs in conjunction with American Chronicles. These include a Veterans Day Program on November 11, talks, workshops, the popular Tour and Tea programs, and a special visit by Ruby Bridges, the subject of Rockwell’s painting The Problem We All Live With.

Visitors to American Chronicles will also have the opportunity to have their pictures taken in front of a life-size Saturday Evening Post cover. Props will be available for those who want to create a Rockwell-inspired scene. Photos will be posted to the museum’s Flickr and Facebook pages.

For more about related events and programs, visit www.daytonartinstitute.org/rockwell or call the museum at 937-223-5277 to request a copy of the exhibition brochure.

How To Go:

"No Swimming"

American Chronicles: The Art of Norman Rockwell is on view at The Dayton Art Institute from November 12 – February 5, 2012.

Admission is $15 for adults, $13 for seniors (60+), students (18+ w/ID) and active military, $10 for youth (ages 7-17) and free for children (ages 6 & under). Museum members are free for their first visit, $10 for return visits. Exhibition tickets include admission to the museum’s permanent collection.

Exhibition audio guides, providing commentary on Norman Rockwell’s life and work, are available at the Visitor Services Desk for an additional $5.

Group tour packages are available, including docent-led tours of the exhibitions and boxed lunches from the museum’s Cafe. Group tickets (groups of 10 or more) are $13 per person. Information about group tours is available by contacting Mary Eberle, at 937-512-0152 or meberle@daytonart.org.

For more about the exhibition and other programs at The Dayton Art Institute, go to www.daytonartinstitute.org or call the museum at 937-223-5277. Be sure to also visit The Dayton Art Institute’s Facebook and Twitter pages for additional information and offers. On Twitter, look for the hashtag #rockwelldai.

A two-time graduate of the University of Dayton, Cooper studied theater and communication before beginning a career as a development professional.  An active member of the Dayton community, she is a trustee at Culture Works, featured writer on DaytonMostMetro.com, Updayton board member, and project volunteer with Activated Spaces. As an actor, Cooper has performed on many local stages and for regional radio, film and television spots.

Ron Rollins, President of the FilmDayton Board of Trustees, says, “Many of the board members already knew Megan either through her film work or community involvement. As we consider what FilmDayton can be for the region, we know she has the drive and knowledge to help us grow and meet our goals. We’re looking forward to what the future holds for FilmDayton.”

As the new Executive Director, Cooper is challenged to further the FilmDayton mission to provide opportunities for filmmakers. She will work with a strong coalition of volunteers to plan the annual FilmDayton Festival, facilitate educational programming (such as the Boot Camps and Film Connections), and support economic development in hopes to bring more productions to the region.

Cooper says, “FilmDayton was a great fit. I believe in the future of Dayton, the arts, and economic development opportunities in our region; FilmDayton brings those aspects together. I look forward to serving the organization and sharing my skills to support film in the region.”

Next steps for FilmDayton include an internship collaboration with Wright State University and a renewed dedication to economic development. As reported previously, FilmDayton will continue talks with the Dayton Art Institute and Dayton Visual Arts Center to determine if a partnership could lead to greater sustainability and successful programming.

A child paints the street as part of an interactive component of Urban Nights.

If you are looking to take your weekend to new heights, look no further than downtown Dayton.

Urban Nights will be back with even more fun activities on Friday, Sept. 16, from 5 to 10 p.m. New this year is Over the Edge, a challenge that combines fundraising with adventure. Participants who raise at least $1,000 will be given the opportunity to rappel over the side of the 27-story KeyBank Tower. All proceeds will benefit Big Brothers Big Sisters of the Greater Miami Valley. Space is limited; for more information, call 220-6857.

Urban Nights has plenty of live entertainment. Check out the stage featuring Celtic and folk music, including performances by  Norman’s Conquest. Back by popular demand is the Community Stage. For the first part of the evening, local bands and performers will be allowed 10-minute slots on the stages. The second half will feature karaoke, when anyone can take a turn at the mic.

Urban Nights is filled with interactive activities. The public pianos that debuted

A street performer juggles fire.

during the fall 2010 Urban Nights are also back by popular demand. Hauer Music will provide four pianos to be placed on street corners throughout downtown, which pedestrians are invited to play. Other interactive activities will include an opportunity to help create a work of art with jelly beans, a chalk walk on the sidewalk, and a chance to learn how to break dance and juggle.

K12 Gallery for Young People, 510 E. Third St., will host Round 1 of Art-Off, a new fundraising event in which individuals battle to create the greatest art-making spectacle in an Iron Chef-like competition. Participants will receive materials (announced the night of the event) to create artwork within the theme “chaos vs. order.” Ten artists will compete during six 30-minute time slots from 6 to 9 p.m., and audience members will vote on each time slot’s winning artist based on the artists’ performances in crafting their pieces, as well as their finished products. To sign up to participate, contact Kelly Sexton at 461-5149 or k12.kelly.e@gmail.com.

Winning entries from the Downtown in Focus amateur and professional photography contest will be on display in the Kettering Tower lobby during Urban Nights. One amateur winner and one professional winner were selected in each of the following categories: My Downtown Favorite, Downtown at Night and Abstract Downtown. A panel of judges awarded a $250 cash prize to the Best in Show winner in each division. In addition, City of Dayton Mayor Gary Leitzell selected one photo that best represents the City’s “Dayton Originals” motto.

The weekend-long Taste of Miami Valley will kick off during Urban Nights at RiverScape MetroPark. Guests can sample food from more than 30 area restaurants. Admission is free, and most tastes are $3 each.

A street painter illustrates the vibrant downtown atmosphere.

A map of participating venues and a complete performance schedule, including a listing of all participating locations’ events and specials, is available online at www.downtowndayton.org. Follow Urban Nights on Facebook at www.facebook.com/UrbanNightsDayton for regular updates and more information.

The best way to see as much as possible during Urban Nights is to walk, and many of the destinations are just a short distance from each other. Greater Dayton RTA also will provide free event trolleys to help visitors get around. In addition, cyclists will gather at 5:15 p.m. at Don Crawford Plaza in front of Fifth Third Field for Urban Bikes @ Urban Nights, a community ride through the action hosted by Bike Miami Valley.

For more information, contact Krystal Luketic at 937-224-1518 ext. 227 or luketic@downtowndayton.org.

Urban Nights is presented by the Downtown Dayton Partnership, Culture Works, Montgomery County and the City of Dayton, with additional support from WDTN-TV2, DP&L, Greater Dayton RTA, Budweiser Select, the Downtown Priority Board, Clear Channel and Mix 107.7-FM, Wright Dunbar, Inc., Generation Dayton and the Ohio Arts Council.

Blue Sky Project’s third summer in Dayton will bear fruit on Wednesday, August 3 in the heart of downtown when their final exhibition unveils itself in the long-vacant former CVS location at 8 North Main Street, across from the Old Courthouse. Additional locations include KeyBank Tower and 33 North Main Street, the former Roly Poly Sandwich Shop, both on Courthouse Square. The 2011 resident artists are visual artists Marin Abell, Newport News, VA; Rory Golden, Brooklyn, NY (originally from New Carlisle); Kaz McCue, Interlochen, MI; Susannah Mira, Pueblo, CO; and performance artists Sara Mitchell Sherman, Columbus, OH and Shaw Pong Liu, Boston, MA.

Using Dayton as a palate, the collaborative groups of artists and teens are taking on critical issues of our time, including the importance of water in our city’s history; the impact of racism on today’s society; the repurposing of discarded industrial materials; and self-identity in the age of social media. The net result is a compelling mix of visual art, sculpture, installation, video and live performance.

Blue Sky Project is offered without cost to the youth participants, who come from across the region—city and suburb, public, charter and private school, and as far away as Springfield. Youth are selected based on their interest in exploring their creative spirits, and a desire to contribute at a conceptual level in a collaborative environment. Past work from Blue Sky Project has sold at galleries in New York, Chicago and Houston, as well as been featured in The New Yorker, the New York Times and Art in America.

Times & locations:

PREVIEW PARTY • $20/PERSON

• Wednesday, August 3 • 6:00 – 9:00 PM

EXHIBIT HOURS (Free Admission)

• Thursday, August 4 • 5:00 – 8:00 PM

• (First) Friday, August 5 • 5:00 – 10:00 PM

• Saturday, August 6 • 6:00 – 9:00 PM

EXHIBIT LOCATIONS

• 8 North Main Street – Primary exhibition space

• 10 West Second/KeyBank Tower – Installation by resident artist Marin Abell

• 33 North Main (Courthouse Square) – “Artists Without Borders” retrospective of work

from Blue Sky Project 2008 by African artist Akirash

If you are heading out of town, you can catch the Blue Sky exhibition on First Friday, September 2 and Urban Nights, September 16. For more information and to order preview party tickets, visit www.blueskydayton.org or call 937.732.5123.

The Activated Spaces team (powered by the Greater Downtown Dayton Plan) worked with local property owners and invited artists to share their work with the community while focusing on our region’s assets. It was a great success and resulted in 17 vibrant art displays filling downtown windows and the selection of Amanda Sue Allen as the People’s Choice award (work currently on display at the Cannery Art and Design Center). Everything from photography to quilt-work and paintings to cloth and pottery to cellophane was represented (and much, much more!) It was a great, diverse and eclectic celebration of Dayton’s professional and amateur artists.

Serida checks to make sure the QR code is working on the Dayton Creative Syndicate's installation featuring the Culture Works festival.

So – they’re doing it again! They have put the call out to local artists to submit work for a second round of storefront window art displays to be unveiled at the September Urban Nights. The fall 2011 installation theme, “Spotlight Dayton,” challenges artists to focus on our many downtown neighborhoods and highlight favorite places. They hope to include aspects of all areas of downtown–neighborhoods, parks, organizations and various community assets may be featured. It may be a challenge to remain strictly faithful to the theme, but the emailed prospectus states that they welcome artists’ interpretations of the theme however loose or literal it may be; if the artwork is not an exact demonstration of the theme, the artist statement may tie the work to the theme.

Details of the project and submission guidelines are available online. Submissions are due by Friday, August 12, at 5PM.

Check out the Activated Spaces web site for more information.