Nice Work” is a silly, summertime, Prohibition-era romantic farce that finds goofy criminals, sexy dames, handsome henchmen, and the haughty upper crust colliding on Long Island. As is standard fare for such zany stories, mistaken identity runs rampant nearly to the point of excess.
On Stage Dayton Reviews
Lyricist/librettist Tom Jones and composer Harvey Schmidt’s tender, intimate 1960 musical “The Fantasticks,” loosely based on Edmond Rostand’s 1894 play “Les Romanesques,” receives a visually engaging, strikingly designed presentation at the Dayton Playhouse. Matthew W. Smith spearheads his finest directorial achievement thus far by envisioning the material with nods to commedia dell’arte and vaudeville with particularly lovely sprinkles of whimsicality recalling Jones’ superb direction of the current off-Broadway production. Smith’s show-within-a-show concept is marvelously heightened by … [Read more...]
Cedarville University is performing "Fiddler on the Roof" through February 8th. DMM's Russel Florence reviews the production.
Inside a suburban New Jersey hospital, the Baker family has come undone. Crisis brings them together, but what will keep them together? Playwright Michael Slade provides clues with wonderfully relatable authenticity and astute, unresolved ambiguity in his new original play “Family Shots,” an excellent, touching comic drama superbly presented in its world premiere at the Loft Theatre courtesy of the Human Race Theatre Company.
A 1980s pop culture explosion can be found at the Schuster Center with the presence of the national tour of “Flashdance – The Musical” courtesy of the Victoria Theatre Association’s Premier Health Broadway Series. It’s quickly apparent how important nostalgia is to the appeal of this middling adaptation of the 1983 film of the same name set in and around a steel mill in blue-collar Pittsburgh. The Schuster lobby contains various images of the Greed Decade from Culture Club to Cabbage Patch Kids and the show curtain recalls MTV’s glory days. But eye-catching distractions can’t disguise the … [Read more...]
The Muse Machine’s incredibly entertaining, excellently cohesive production of Lionel Bart’s 1960 musical “Oliver!,” the arts education organization’s 31st annual student musical, touches the heart and radiates with joy at the Victoria Theatre.
The Dayton Theatre Guild enters 2015 with a solid local premiere of Amy Herzog’s 2013 Pulitzer Prize-nominated dramatic comedy “4000 Miles,” an emotionally awkward and surprisingly poignant depiction of two headstrong individuals in need of stability and protection. Sharply directed by Kathy Mola with an excellent grasp of tone,”4000 Miles” concerns 21-year-old college student Leo Joseph-Connell who travels by bike from Seattle to New York’s Greenwich Village to visit his 91-year-old grandmother Vera. Grief, tragedy, uncertainty, and disillusionment cause Leo to seek temporary … [Read more...]
In just 80 compelling minutes, “Last Five Years,” delicately directed with contemplative touches by Mackensie Vonderbrink, paints a fascinating portrait of twentysomething lovebirds in New York City particularly torn apart by differing career paths.
Charlie Brown, bothered and bewildered as ever, can’t seem to get into the holiday spirit because he feels the season has become too commercial. He even turns to his ever-reliable therapist Lucy (a.k.a. the Christmas Queen) for help. But everything changes when Lucy pulls Charlie out of his doldrums by asking him to direct the school play.
Symbolically bound together during a nonchalant Saturday detention at Shermer High School overseen by Assistant Principal Richard Vernon (Jason Antonick, fittingly stern and agitated) with occasional assistance from trusty janitor Carl Reed (Rick Burnette, amiably observant), outspoken rebel John Bender (co-founder/artistic director Christopher Hahn), popular and privileged Claire Standish (Lisa Glover), brainy Brian Johnson (Timothy Walling-Moore), athletic Andrew Clark (Titus Wolverton), and oddball Allison Reynolds (Kirsten Johnson) despise and disagree until they realize how much they have in common from peer pressure to family dysfunction