The Human Race Theatre Co.
An art museum may not be the first place you’d think of when it comes to workplaces with intense conflict, but in Thomas Gibbons’ Permanent Collection the Morris Foundation has as much head-butting as an NFL game. And unlike in an NFL game, the production by The Human Race Theatre, Dayton’s own professional theatre company, doesn’t provide the players with helmets and pads.
Eccentric collector Alfred Morris pretty much guarantees the collisions when his will stipulates both that his museum go to an historically black college and that the displays be kept precisely as they are – leading to an inevitable battle over African artworks that have been kept in basement storage.
The Morris Foundation is loosely based on the Barnes Foundation of Philadelphia, a real-life private museum with a real-life eccentric owner, Barnes is the subject of the film documentary The Art of the Steal, though the film and Permanent Collection cover entirely different aspects of the aftermath of the collector’s death.
Permanent Collection is directed by Dayton native and current New Yorker Schele Williams, who did a masterful job at the helm of Ethel Waters: His Eye Is On The Sparrow two years ago. It is part of the 2010-2011 Eichelberger Loft Season of The Human Race, which will celebrate the 25th Anniversary of its incorporation during the run.
An Evening at the Museum with More Drama Than Night at the Museum
The college which inherits the collection hires African-American businessman Sterling North as director. North is played by Human Race Resident Artist Alan Bomar Jones, most recently seen at The Loft in A Christmas Carol, who recently garnered rave reviews for the Columbus one-man-play as folk artist Ezra Pierce, Pierce to the Soul.
North’s discoveries lead to the battles with the museum #2, Paul Barrow, played by New York-based Scott McGowan, who has won awards for performances in Miss Saigon and Evita, so he knows about culture clashes. The two men draw in the office staff, played by New Yorkers Sharon Hope (who has done numerous Law & Order episodes, so she knows verbal fracases) and Melissa Joyner (whose many credits include a turn as a student in Carrie II, so she know about the results of anger), into the fray.
A reporter who gets interested in the story is played by Christine Brunner of Middletown, who was in Human Race productions of A Christmas Carol and has appeared in many other shows in the region, and who has been a hand model in commercials for both Charmin and Bounty, so she knows when people have made a mess of things.
The imaginative set – you have to be imaginative when depicting a few billion dollars’ worth of art – is by Tamara L. Honesty. Costumes are by Janet Powell, lighting by HRTC Resident Artist John Rensel, sound by Matthew P. Benjamin, with Heather Jackson as Production Stage Manager.
Among the participants in the While We’re On The Subject talkback after the April 24 matinee, to which audience members are invited, will be Dayton Art Institute Chief Curator Will South.
Production sponsors are Rob and Leesa Comparin, Richard and Marni Flagel, Tyree L. Fields, Larry S. Glickler – Bradford-Connelly and Glickler Funeral Homes, Jon and Diana Sebaly, Maryann and Jack Bernstein, Alan and Marsha Pippenger, and John and Tamara Clough.
-Human Race Theatre Co. Press ReleaseWe encourage local theatre companies to submit calendar items HERE, and official press releases to onStageDayton@gmail.com.
Tickets & Performance Information:
April 15 – May 1 – various performance times (note…there will be an additional “preview night” performance on April 14)
at the LOFT THEATRE – map
More information and tickets are available through www.humanracetheatre.org, by calling Ticket Center Stage at (937) 228-3630 or toll free (888) 228-3630. Tickets can be purchased in person at the Schuster Center box office, or at the box office at The Loft two hours before curtain.